For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

A compilation of incredible Formula 1 cars screaming up the Goodwood hill. Classic V10, V8 and modern hybrid F1 machines ...

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

Add Yahoo as a preferred source to see more of our stories on Google. Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes?

On Sunday (March 15), the Academy of Motion Picture Arts and Sciences awarded F1 with the Oscar for Best Sound at the 98th ...

Bringing Apple Original Films’ F1 to life was no easy feat. “I was always told, ‘Racing movies don’t work,’” said director and producer Joseph Kosinski during Deadline’s Contenders Film: Los Angeles ...