His basic premise begins at the end: with the older, more dislocated Onegin and Tatyana aching their way back to that time in a mid-19 th century adolescence when happiness was so close. That makes it ...

Add Yahoo as a preferred source to see more of our stories on Google. Mezzo-soprano Hilary Ginther as Olga in a past production of "Eugene Onegin" at Opera Omaha (which utilized the same sets and ...

Soprano Katy Lindhart and baritone Thaddaeus Bourne in the Ruby cast of Opera in the Heights’ Eugene Onegin. Credit: Photo by Nancy Gillespie I knew trouble lay ahead in Opera in the Heights’ physical ...

Tchaikovsky’s great 1877 opera, based on Pushkin’s verse novel, breathes the spirit of Russia yet deals with universal themes – the loss of a love that is never declared, in this case that of Eugene ...

For a tale of heartbreaking regret for a missed opportunity, Pushkin’s Eugene Onegin, as set to music by Tchaikovsky, would be hard to beat. As Ted Huffman, director of the Royal Opera’s new ...

Far worse things happen to characters in other operas by Piotr Ilyich Tchaikovsky, but “Eugene Onegin” sweeps the competition for its depiction of crippling interpersonal damage. By the time Ralph ...

An impulsive country girl pours out her heart to a foppish young aristocrat who spurns her advances, only to have their ...

This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts. Saturday night, 10 days after its 25th birthday, Los Angeles Opera ...

From January 28 through February 4, 2017, Florida Grand Opera presents, Tchaikovsky's best loved opera, Eugene Onegin, at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County. This ...

Tchaikovsky based his opera Eugene Onegin, which opened last night at Opera Holland Park, on a Pushkin novel, written 50 years before the opera’s 1879 premiere. The composer kept Pushkin’s title, but ...

Great Performances at the Met presents Tchaikovsky’s Eugene Onegin. Anna Netrebko stars as Tatiana, the naïve heroine of Tchaikovsky’s opera, with Peter Mattei as the title character who rejects her.

His basic premise begins at the end: with the older, more dislocated Onegin and Tatyana aching their way back to that time in a mid-19 th century adolescence when happiness was so close. That makes it ...