The New Criterion, edited by Roger Kimball, was founded in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The ...
W. H. Auden (1907–73) was quite explicit about the origin of his poetic vocation. In “Making, Knowing and Judging,” a lecture he delivered at Oxford in 1956, Auden recalls that he decided to become a ...
The Editors of The New Criterion are pleased to announce that Midge Goldberg is the winner of the twenty-sixth New Criterion ...
One wonders what might have happened if the Great Depression hadn’t intervened in her career, obliging her to retreat to her family in Morgantown, West Virginia, and take assignments from the Works ...
(1974), the Supreme Court further broadened the group who could be maligned by the media to include “limited-purpose public ...
Jay Nordlinger on a performance of “Carmina Burana” at the Teatro Massimo.
The other program, the subject of this review, appealed to more advanced balletomanes—works by Gianna Reisen, Ulysses Dove, ...
Though the official day of the United States’ semiquincentennial has come and gone, there are still Revolutionary War achievements to be remembered. In The Spectator World, Patrick Allitt memorializes ...
On “Spectacular Balanchine!” at American Contemporary Ballet, Los Angeles. Opening the program is the “Sweet and Lowdown” section from Who Cares?, Balanchine’s 1970 ballet set to the music of George ...
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