abstew, thank you for this. Audrey's fashion is her constant co-star, and rightfully so. I am in the middle of watching Love In the Afternoon for the first time, and she's luminous in a way that no ...

Christopher Nolan has developed a string of touchstones for his films. You can expect an all-star cast, massive practical set pieces, underdeveloped women, stunning visuals, and clunky dialogue. With ...

As the summer stands between us and the awards season to come, Cláudio Alves and Juan Carlos Ojano discuss some of this year’s new Oscar rules, focusing on their beloved Best International Film race.

While it took me uncomfortably long to complete the first round of Oscar predictions of the year, I've finally done so ending with Best Actress, Best Picture, Best International Feature Film, Best ...

Easily would've nominated her that year. She's the most visceral and primal thing about the film, which I love (though the book, to no one's surprise, is better). Each of her scenes hits a different ...

Behold the five Oscar-nominated Supporting Actresses of 1973: a "bitchin' babe" (Candy Clark), a pint-sized con-artist (Tatum O'Neal), a possessed teenager (Linda Blair), a selfish carnival dancer ...

Elaine May is also very funny in an under-appreciated movie "In the Spirit" from 1990. It teams her with Marlo Thomas and they are great together. Jeannie Berlin co-wrote the film and also appears in ...

In my mind it's Avery who's miles and leagues ahead everyone else here. The way she imbues her role with tenderness and aplomb sexual appeal is extraordinary. She's a woman you fall in love with just ...

I know it sounds mean but Molly Rogers is a butcher. She's been allowed to dress some of our most iconically stylish characters in the tackiest, most soullessly OTT clothes. It's an insult to call ...

by Nick Taylor Few working directors are as exciting as Argentianian genius Lucrecia Martel. To talk about her work means to talk about her bold experiments with lensing and editing, her immaculately ...