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U naslovnoj ulozi Dioklecijana briljirao je bariton Jurica Jurasić Kapun, a velik doprinos dali su i brojni gosti iz sarajevske Opere, ponajviše Aida Čorbadžić (inače sarajevska Floramye) kao careva ...
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From Aesopian Code to Open Ustaša Salutes: Croatia’s Shift to Nationalist ExtremismThe term “Croatian Silence” was coined by far-right Croatian intellectuals to describe the period between the suppression of ...
Since assuming his role at the Simon Wiesenthal Centre in 1998, Efraim Zuroff—nicknamed, with a mix of reverence and unease, ...
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